He studied Fine Arts and the Prodart Master in Art Production at the University of Barcelona. His practice focuses on sculpture and installation, but also develops through text and the use of digital technologies. He investigates the tensions between artistic practice and its close worlds: such as design, magic, hobbies, museology, or parties. He understands his artistic practice as the political form of production of a desire / pleasure system emancipated from the consensual parameters of value and time. This last year his pieces respond to the fantasy of a sculpture on which you can eat, read or make a puzzle without turning it into a table. Of a type of sculpture that renounces the will to be autonomous in exchange for being closer and participating in life around it, assuming the risk of losing a certain status.
His work has been seen individually in places such as Halfhouse: FUL METAL ALBUM (2021), Museu Picasso: LOCUS SOLUS minecraft version (2020), at the BCN llum 2020 festival: TECHNOTINTINEO, public installation curated by the BRAC research group (2020) in Nogueras Blanchard, Art nou: Galán de noche serpiente dorada, curated by graciasporsuvisita. (2019) Hangar. Locus Solus minecraft beta version, curated by Serafín Alvarez in El club de los videojuegos. (2018) F. Arranz Bravo: Jugar com una fruita no es jugar. Barcelona Gallery Weekend, exhibited with Mònica Planes, curated by David Armengol and Albert Mercade. (2018) Collectively he has shown work in Tecla Sala: Our garden need his flowers, Hospitalet (2021). Le Beffroi. Biennale du Jeunne Creatión Europeene. Montrouge, Paris (2018) Fabra i Coats Center d'Art contemporànci (2017), center d'art maristany, ARCO (Madrid) and MACBA.