"In Anagnórisis, Daniel Solsona tries to approach through a diary of bodies and intimate settings, to his own existential concerns. It is a process of self-knowledge that comes from the word "anagnórsis" (from ancient Greek, "recognition"). Filled with medium shots, painterly references and dreaminess, his universe of buildings, walls, windows, curtains and night scenes, becomes a scene of exhibitionism, disturbance and finally liberation. Anagnórisis transmits a cinematographic sensuality without putting distance from the strong influence of authors like Paulo Nozolino, Antoine d' Agata and Michael Ackermann."

Natasha Christia